Anni and Josef Albers DonationFrom the Josef and Anni Albers Foundation
From to
Following the major exhibition Anni and Josef Albers, Arts and Life, which ran at the Musée d’Art Moderne de Paris from September 2021 to January 2022, The Josef and Anni Albers Foundation, based in Bethany, Connecticut has made an exceptional donation of fifty-seven works to the museum. The group of works consists of twenty-two works by Josef Albers (1888-1976), including three paintings from the Homage to the Square series and thirty-five works by Anni Albers (1899-1994), including fourteen textile samples inspired by patterns designed by the artist. All of the items will join the permanent collections on display from 16 September 2022.
This donation is the largest one made by the Foundation since the deaths of the two artists. It constitutes an important addition to the museum's collection, which until now did not have any of the two artists' works. In the words of Nicholas Fox Weber, executive director of the Josef and Anni Albers Foundation, « this gift is the fruit of the close collaboration between the teams at the Musée d'Art Moderne de Paris and the Albers Foundation. I am certain that Anni and Josef Albers would have admired the bold artistic choices made by the Musée d'Art Moderne. »
With works representing all the stages in the creative lives of these two great artists – from their beginnings at the Bauhaus, their period at Black Mountain College and then in Connecticut and in particular (for Josef) at Yale University –, this group of fifty-seven works encompasses all the techniques and materials used by the Albers: painting, weaving, drawing, photography and a variety of printing processes.
Anni and Josef Albers were both born in Germany and met in 1922 at the Bauhaus art school. They married three years later. In 1933, they emigrated to the United States, where they were invited to teach at Black Mountain College, an experimental liberal arts college in the mountains of North Carolina. In this new environment, Josef intensified his research into colour whilst Anni continued to explore different weaving techniques. The intimate and close bond they shared underpinned a lifetime of mutual support and encouragement through an ongoing dialogue based on mutual respect. With their particular attention to form, material and colour, they produced a body of work now considered as part of the foundations of modern art and which continues to exert considerable influence. Their work not only as artists, but also as teachers is all about constantly raising new questions by sensitively observing the visual and tactile world.
Curation : Julia Garimorth, assisted by Sylvie Moreau-Soteras
Wall Hanging, 1925 / 2021
Coton, soie et acétate / Facsimilé réalisé par Katharina Jebsen d'après le Wallhanging réalisé par Anni Albers en 1925
conservé à Die Neue Sammlung, Munich
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris
Wall Hanging, 1925 / 2021
Laine et soie / Facsimilé réalisé par Katharina Jebsen d'après le Wallhanging réalisé par Anni Albers en 1925
conservé à Die Neue Sammlung, Munich
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris
Jacquard II, 2017
Produit par Designtex, inspiré par le travail d'Anni Albers / Nylon, rayonne, coton
© 2022 The Josef and Anni Albers Foundation and Designtex / Artists RightsSociety (ARS), NewYork / ADAGP, Paris
La Luz I, 1947
Tissage pictural satiné avec brocart discontinu, lin, fil métallique
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Textile sample of bedspread material for Harvard Graduate Center dormitory, vers 1949
Coton et lin
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris
Haiku, 1961
Coton, chanvre, fil métallique, laine
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Orchestra, 1979
Photo Offset (Edition no. 42/50)
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Wall XII, 1984
Aquarelle sur sérigraphie
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Frontal, vers 1927
Verre opacifié par projection de sable et peinture noire
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
K-trio, vers 1932
Verre opacifié par projection de sable
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Oscillating (C), 1940-1945
Huile sur Masonite
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Tautonym (B),1944
Huile sur Masonite
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
2 Yellow, 2 Red, Cadmiums and Bluearo und Violet Center, 1947
Huile sur panneau de fibres de bois
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Homage to the Square : Guarded, 1952
Huile sur Masonite
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022
Homage to the square, n.d
Huile sur Masonite
© 2022 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York / ADAGP, Paris 2022