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Keith Haring

The political Line

/ April 19 - August 18 / new night-openings /

The Musée d’Art Moderne de la Ville de Paris, in association with Le CENTQUATRE, is devoting a wide-ranging retrospective to American artist Keith Haring (1958-1990). The exhibition will bear witness to the importance of Haring's work, in particular its profoundly "political" content, apparent in his work throughout his career.
Almost 250 pictures on canvas and tarpaulins and from subway walls – as well as twenty monumental works – will be exhibited at Le CENTQUATRE, making this one of the largest presentations of Keith Haring’s works ever.

Keith Haring was one of the most well-known artists of his time, and even today his inimitable style, with its strong, graphic line and repertoire of emblematic signs, remains familiar to all. Beginning with Documenta 7 in 1982, his work was exhibited alongside that of Andy Warhol, Jean-Michel Basquiat, Roy Lichtenstein, Robert Rauschenberg, Jenny Holzer and Daniel Buren, as well in museums and biennials around the world.

Untitled, 1982, BvB collection Genève, © Keith Haring Foundation
Brazil, 1989, Glenstone, © Keith Haring Foundation
Untitled, 1982, Courtesy Keith Haring Foundation et Gladstone Gallery, New York et Bruxelles, © Keith Haring Foundation
Untitled, Septembre 1982, Collection particulière, © Keith Haring Foundation
Untitled, 1982, Collection particulière, © Keith Haring Foundation
Untitled, 25 août 1983, Collection particulière, Courtesy Enrico Navarra, New York, © Keith Haring Foundation
Image prédécente
Image prédécente

Haring studied at the School of Visual Arts in New York. Endowed with a genius for line, this virtuoso draughtsman – even as a child he drew endlessly – worked rapidly, tirelessly and was enormously prolific, frequently making work to the accompaniment of music. He worked on all kinds of surfaces and his response to contemporary media included disseminating reproductions of his imagery on merchandise, via his New York retail store, the Pop Shop, which he opened in 1986.

The political messages and ideas he communicated were not only a part of his legacy; they have had a very real influence on other artists and on society. His "subway drawings" paintings, works on paper and sculptures speak of social justice, individual freedom and change. A subversive, militant Pop icon, Haring was committed to social causes throughout his life: even when very young, he was driven by an urge to change the world.

Consciously and frequently choosing the street and public spaces to make contact with the widest possible audience, he fought indefatigably against racism, capitalism, violence and injustice in all their forms, with a particular emphasis on apartheid in South Africa, the threat of nuclear war, the destruction of the environment, homophobia and the AIDS epidemic (diagnosed HIV-positive in 1988, he established a charitable foundation, dedicated in part to helping those affected by AIDS and HIV). The layout of the exhibition provides a narrative of Haring’s socio-political obsessions.

Paris was unquestionably the place for this major exhibition. After taking part in the Figuration Libre France/USA show presented in 1984 at the Musée d’Art Moderne de la Ville de Paris, together with Robert Combas, Hervé Di Rosa, Jean-Michel Basquiat and others, Haring became attached to the city and often stayed, worked and exhibited there.

 

Monumental works at  

Le CENTQUATRE takes the retrospective further, presenting a selection of Keith Haring's monumental works, notably one of his most important series: The Ten Commandments, dating from 1985. Massive in scale – ten panels, each seven meters high – the works reveal the artist's radical interpretation of the Decalogue.
http://www.104.fr/

 

The exhibition catalogue

This lavishly illustrated catalogue explores the various issues raised by the exhibition: art in public spaces, government and mass media oppression, the role of the individual in the social order, etc. It includes essays by critics specializing in the Haring oeuvre – Dieter Buchhart, Odile Burluraux, Robert Farris Thompson, Julian Myers, Peter Pakesch – as well as interviews with Julia Gruen and Tony Shafrazi and a detailed timeline.


Curators : Dieter Buchhart and Odile Burluraux


The exhibition has been organized in partnership with the Keith Haring Foundation

 

 

And with the backing of

                  
   Mécène de l'exposition


We would like to thank our partner Citizens of Humanity for making it possible for secondary students to get to the Musée d’Art Moderne and take part in special tours relating to the exhibition.



Partners

Fnac        UGC       ratp      Air France      CRT


BA magazine      Le Parisien      A Nous Paris      France 4        Europe 1     Doolittle


Charity Auction
Jérôme de Noirmont and the Keith Haring Foundation in New York and in co-operation with Sotheby’s, and in association with Necker Children’s Hospital (APHP) are to stage a Charity Auction in aid of the mural offered by Keith Haring to Necker Children’s Hospital in Paris in 1987.


/ See also /
Douglas Gordon

Douglas Gordon

/ March 7th - December 2014 /

More
Raymond Mason

Raymond Mason

/ March 7th - November 9th, 2014 /

More

/ Useful information

Musée d'art moderne de la Ville de Paris
Open Tuesday-Sunday
10 am - 6 pm
Late closing Thursday, 10 pm
New night-openings on Wednesday until 10pm from July 10

Exceptional night-openings on Wednesday until 10pm from July 1st - See more at: http://parismusees.paris.fr/en/exhibition/keith-haring-political-line#sthash.aPgeftCk.dpuf
Exceptional night-openings on Wednesday until 10pm from July 1st - See more at: http://parismusees.paris.fr/en/exhibition/keith-haring-political-line#sthash.aPgeftCk.dpuf

Admission
Full price: €11
Reduced price : €8 (over 60, teachers,the unemployed, large families)
Half price: €5,50 (young people 14-26 + people on the minimum wage)
Free for the under 14s

Le CENTQUATRE
5, rue Curial - 75019 Paris
www.104.fr
Tuesday-Sunday : 3 - 7 pm

Admission
Full rate : 8€
Concessions : 5€
Subscribers : 3€

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